Hot show! Zoe Williams melts our hearts

"Probably her most ambitious project," says curator Vincent Honoré of British artist Zoe Williams' exhibition FONDANT, which transformed the Panorama room at the Friche Belle de Mai into a theatrical boudoir. For the opening, she staged a performance with artist and performer Nadja Voorham, combining sensuality and power relations in this opulent yet intimate setting.

Plein Sud: Why is the show called Fondant?

Zoe Williams : Because in my work I like to think about things melting and merging into each other. And I like the sensation of melting and ceramics, and glazings, and cakes, and bodies, so it’s all sorts of different me

PS: How did it come about?

ZW: I was interested in environments that are a bit too much, and in between cinema, performance and sculpture installation. This is really what I wanted to try with this. And also this idea of sensuality that is almost unbearable with an end of times feeling about it or non time. 

PS: What makes you melt?  

ZW: Lots of things, haha, but I love surfaces and fabrics that kind of ooze into each other, soft things and heat!

PS: Why Marseille?

ZW: Because Fraeme asked me to do a project here but also because I always had this interest and been drawn to the city for the last ten years so it was a great opportunity. I have been staying at La Belle de Mai so I feel that I got a good combination being between the sea and the landscape I have been moving in.

PS: Are they any hidden surprises in the show?

ZW: Ha! Maybe you have to discover, there are a few. The soundtrack is 40 minutes so there are some peaks, you need to listen out, maybe for some words… Yes.

PS: Sex or romance?

ZW: I think they are two of same, I think they get separated too much.

Fondant. Fræme, Marseille → 24.09.23