The exhibition presents recent works by Melika Sadeghzadeh, some of which evoke a house that is constantly changing and impossible to return to. You can observe several attempts to rebuild things, to activate memories, to account for what can no longer be seen. Conversely, some works resist the gaze: opaque, they contain the collective traumas we have got used to living with. Vision is blurred, unable to remember precisely or to move forward, in the twilight zone.

Ida Tursic & Wilfried Mille explore the endless possibilities of painting. Between abstraction and figuration, the duo tackles landscapes, portraits and still lifes. Their subjects are drawn from the history of art, cinema, the internet or magazines, opening up a multitude of interpretations.

“PRÉSENCE” offers a new creative opportunity to the 26 contemporary artists featured in the exhibition. Through a sensitive and evocative PRÉSENCE at the heart of the works presented, the artists rehabilitate an aesthetic, perhaps fill a void, or revive the fading memory of places of remembrance.

Prompting reflection on our relationship to others and to ourselves, by opening new windows and holding up a mirror, this exhibition reveals the imperceptible and invites us to discover hidden realities.

Through videos, installations, murals, sculptures, and drawings, this exhibition examines systems of language as structures of power, regulation, and meaning-making, across two fields of application: space activities on the one hand, and artificial intelligence on the other.

A key figure in the contemporary art scene, Julien Prévieux embraces a multidisciplinary practice driven by a playful approach to social critique. A keen observer of the contemporary world and our behaviours, the artist is particularly interested in the impact of technological revolutions on our societies, and in their hold over individual and collective bodies.

Painter and theorist of perception, Jérémy Liron presents a series dedicated to the Domaine, where fragments of trees, architecture, and intense skies create variations “neither quite the same nor quite another,” exploring repetition as a way of shaping the visible.

A sea of crossings and exchange, the Mediterranean carries memories of journeys and intertwined cultures, but also exile and loss. For centuries, people have crossed it seeking refuge and dignity.

In 2026, the Fondation Villa Datris gathers 74 artists from 20 countries to explore the Mediterranean as a shared territory. Their works address migration, common roots, and today’s challenges: climate change, borders and violence… blending commitment and poetry to celebrate hospitality, solidarity, and hope for an open, human Mediterranean.

A newly commissioned film by artist and filmmaker Verena Paravel, developed as part of her research project Cosmofonia. Shot within the singular ecosystem of the Rhône delta, the work explores the fragile and often invisible lives of the many species that inhabit the wetlands of the Camargue. Paravel extends her radical exploration of cinema as a means of entering into relation with a plural and polyphonic world, shaped by diverse ways of inhabiting the Earth.

The Collection Lambert now presents its permanent collection on a continuous basis throughout the year. The first chapter of this evolving display is devoted to the 1980s. This pivotal period, marked by profound aesthetic, political and social transformations, emerges as a moment of renewed affirmation of the power of the image, characterized by a return to the human figure. The body occupies a central place, inscribed within a deeply political dimension.