In the midst of Provence, Château La Coste is a vineyard where wine, art & architecture live in harmony. 38 major works of contemporary art are installed in the open air and 3 gallery spaces, offer a unique experience at the heart of its 500-acres. Artists and architects are encouraged to choose a place in the landscape and are given the freedom to create a work.

Prune Nourry, Mater Earth © Stéphane Aboudaram _ Wearecontent(s)
Prune Nourry, Mater Earth © Stéphane Aboudaram _ Wearecontent(s)
Renzo Piano, Pavillon d'exposition, 2017
Tadao Ando, Art center, 2011
Tadao Ando, Gate, 2011
Richard Rigers, Galerie
Louise Bourgeois, crouching spider, 2003
Tom Shannon, Drop 2009

In the midst of Provence, Château La Coste is a vineyard where wine, art & architecture live in harmony. 38 major works of contemporary art are installed in the open air and 3 gallery spaces, offer a unique experience at the heart of its 500-acres. Artists and architects are encouraged to choose a place in the landscape and are given the freedom to create a work.

Programme

Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)
WE ARE CONTENT(S) Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Cautionary Tales, Valdrin Thaqi © Stéphane Aboudaram l WE ARE CONTENT(S)

Cautionary Tales, Valdrin Thaqi

In this new body of work, Valdrin Thaqi continues to develop a restrained figurative painting, where the image never presents itself as a narrative but rather as a situation. Figures appear within stripped-down spaces, removed from any temporal or social context, held at the threshold of the event. The series unfolds through minimal postures that concentrate a sense of unease without exposing it. Often depicted in three-quarter view, in profile, or with their gaze turned elsewhere, the subjects avoid frontality as one avoids a conclusion.

Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Stranger, Colin Davidson © Stéphane Aboudaram l Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)

Stranger, Colin Davidson

Internationally recognised for his vivid, emotionally charged painted portraits, Davidson presents here a major evolution in his practice. While Stranger marks his first large-scale series of three-dimensional works, the sculptures remain deeply rooted in his long-standing commitment to painting as a tactile and expressive medium.

Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)
Vue d'exposition, Marc Newson © Stéphane Aboudaram l WE ARE CONTENT(S)

Marc Newson

Spanning four decades of groundbreaking practice, the exhibition brings together fourteen major works, installed both indoors and outdoors. Together, they offer visitors a rare opportunity to discover emblematic creations that have shaped the international discourse on contemporary design and profoundly influenced everyday objects.

© Julian Schnabel
© Julian Schnabel

Julian Schnabel

Always in search of new forms of expression, Julian Schnabel invites us here to experience the intensity of the gaze—directed as much toward art as toward the world. Conceived as a focused yet ambitious journey, the exhibition brings together a rare selection of his most emblematic works, chosen in dialogue with his friend and longtime collaborator Donatien Grau. Spanning the entirety of his career, this presentation offers a unique opportunity to measure the consistency of his inventiveness and the radical freedom of his visual language.

Access

Château La Coste
2750, route de la Cride
13610 Le-Puy-Sainte-Réparade
+33 (0)4 42 61 89 98
chateau-la-coste.com

Every day: 11am - 5pm
8 pm in July & August

Locate other art venues in the vicinity on the map.

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PLACES TO DISCOVER

La Sainte Victoire (Aix-en-Provence)
Musée Granet (Aix-en-Provence)
Centre d’Art Caumont (Aix-en-Provence)
L’atelier Cézanne (Aix-en-Provence)
Abbaye de Silvacane (La Roque d'Antheron)
L’Eglise de Louise Bourgeois (Bonnieux)
Promenade de la Torse (Aix-en-Provence)

PLACES TO EAT & DRINK

La librairie de l’hôtel Boyer d’Eguilles (Aix-en-Provence)
Côté Cour (Aix-en-Provence)
Le four sous le platane (Aix-en-Provence)
Jardin Mazarin (Aix-en-Provence)
Via Baseli (Cabries)
Le Bocage (La Roque d’Antheron)

PLACES TO STAY

Hôtel Roy René (Aix-en-Provence)
Hôtel des Augustins (Aix-en-Provence)
Bastide de Ganay (Aix-en Provence)
Villa Baulieu (Rognes)

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